FEBRUARY 4 – MARCH 6, 2010
Renee Cosgrave has shed the constraints of the page; the board; the canvas for more spatial compositions. The landscape of her wall drawings – which tend to disregard the direction of the architectural space – instigate participation, if only temporarily.
Merryn Lloyd's practice shifts between the intimate and the ambitious – where the interplay between creation and collection are central to the assemblage. Shape, pattern, texture and colour are delicately positioned without the conveyance of formal application.